How did the “Doctrine of Empiricism” change the way artists created art?

The term â€Å"empiricism† has a double historical underpinnings, stemming both from the Greek word for â€Å"experience†. (http://www. philosophybasics. com/branch_empiricism. html) The â€Å"Doctrine of Empiricism† changed the manner in which craftsmen made workmanship. They went from a receptive point of view toward the best approach to communicate workmanship to a progressively organized view. It disappeared the possibility of mystical, custom, and fantasy and supplanted it with basic idea, and the logical technique for experimentation and the information through exact information. (The Enlightenment) A rationalist that well speaks to experimentation was John Locke. Picture of John Locke, by Sir Godfrey Kneller. Oil on canvas. 76ãâ€"64 cm. England, 1697. Wellspring of Entry: Collection of Sir Robert Walpole, Houghton Hall, 1779 Locke accepted that everybody was brought into the world with a â€Å"blank slate† and information was gotten as a matter of fact. ( Theory of Knowledge, Empiricism) That changed the manner in which specialists made craftsmanship since it gave them a progressively practical view on the most proficient method to communicate. They took what they definitely knew and have encountered and begun an entirely different observation. In spite of the fact that this entire idea was new to everybody, not every person concurred. Jean-Jacques Rousseau contended the possibility of flawlessness in progress and information, yet he despite everything introduced worthy thoughts on the grounds that the scholars of this period contended for the flawlessness of the normal. (The Enlightenment) Leonardo Da Vinci was a supporter for cautious experimental perception and an early form of the logical technique, making him essential to the improvement of both science and distrust. Leonardo's accentuation on perception and experimental science was not independent from his specialty. ( Leonardo Da Vinci ; Science, Observation, Empiricism, and Mathematics) Vitruvius: Vitruvian Man, by Leonardo Da Vinci, 1490 The Vitruvian Man was made utilizing shape lines. The detail and concealing is restricted yet depicts his enthusiasm for extent and science. Da Vinci put a visual accentuation on the body itself utilizing shapes to make what goes about as an outskirt. Experimentation was a forward leap in the late seventeenth century and during the eighteenth. It took the unlimited prospects of workmanship and gave everything another viewpoint. It is the hypothesis where everything originates as a matter of fact and proof. It changed the manner in which specialists made craftsmanship by giving them some understanding and foundation before they wandered off into the awesome universe of workmanship. Works Cited http://www.theoryofknowledge.info/wellsprings of-information/observation/The Neoclassical (The Enlightenment) http://myeclassonline.com http://www.philosophybasics.com/branch_empiricism.html http://atheism.about.com/od/imagegalleries/ig/Leonardo-Da-Vinci/Virtuviusâ€Leonardo-Da-Vinci.htm